The Frances E. Willard Settlement in Boston

By Susan Martin, Senior Processing Archivist

When processing a collection, I almost always find interesting little pockets of material that I wasn’t expecting. It happened again recently while I was processing the Hill family papers and came across a few folders related to an early 20th-century settlement house in Boston.

Black and white photograph showing 20 people. All three rows. Most are wearing white tops and dark bottoms. A woman in a dark dress sits to the right side of the photo in front of a fireplace.
Residents of the Frances E. Willard Settlement, ca. 1910

One member of the family, Nellie Frank Hill, was very active in the settlement house movement. I couldn’t find a lot of biographical details about Nellie, but I know that she was born in 1876, the fifth of eight children of farmer and produce dealer Charles Henry Hill of West Groton, Mass.

Nellie’s portion of the Hill family papers relates primarily to the Frances E. Willard Settlement, a home for working women in Boston. Nellie served variously as vice president, secretary, head resident, and general manager of the organization and worked closely with its founder and president, Caroline Matilda “Tillie” Caswell.

The Willard Settlement began in 1894 in a tenement house at 422 Hanover Street, where three rooms were set aside for women who worked at local factories to relax and socialize. The organization grew over the years and was officially incorporated in 1903, later moving to 44 Chambers Street in the West End of Boston. Urban renewal in the mid-20th century dramatically changed the area, and the street doesn’t even exist anymore, but you can find it on this map posted by Historic New England.

Black and white photo of a 5-story brick building. The photo is taken at an angle. A rooftop garden can be seen at the top of the building.
44 Chambers Street, Boston, ca. 1910

The Willard Settlement’s stated mission was: “providing, maintaining and supporting a home or homes for young working women or women earning very low salaries or those training for self-support who need temporary aid, and helping in any possible way those who are strangers and need assistance.” You can learn a lot about what that assistance looked like by reading this 1910 pamphlet, which contains photographs and details about the organization’s membership, activities, finances, etc.

Women earning $5.00 a week or less paid $3.00 for room, board, and laundry. Meetings and classes for residents—and for others in the community—were held at the neighboring clubhouse. Two classes specifically mentioned in the pamphlet included cobbling (for boys) and housekeeping (for girls). The clubhouse had an auditorium, gymnasium, library, pharmacy, assembly hall, and “sloyd” (craft) room. There was even a camp in Bedford, Mass. for 12-to-20-year-old girls that was named after Nellie.

The settlement house also boasted a truly impressive rooftop garden, which is where I would undoubtedly have spent most of my time if I’d lived there.

black and white photo taken from within the rooftop garden at 44 Chambers Street. A woman dressed in a white shirt and long, dark skirt sits on a bench in the photo. There are 4 full columns visible holding horizontal beams (a pergola). Several plants are also visible.
Rooftop garden at 44 Chambers Street, Boston, ca. 1910

Of course, settlement houses and affiliated clubs had a darker side, as instruments for Christian proselytizing and “Americanization.” A 1911 book called Handbook of Settlements describes the Willard Settlement neighborhood this way: “A highly congested quarter of the West End. The people are largely Jews, with a sprinkling of Americans, Irish, Italians, and Negroes.” According to a 1919 issue of the Union Signal, published by the Woman’s Christian Temperance Union (WCTU), the settlement provided social services to a population that was “nine-tenths Jewish and one-tenth Italian.” The WCTU admitted that so-called Americanization was the “main work” of the movement.

The Willard Settlement was “avowedly temperance and Christian.” Daily prayers were mandatory for house residents, who were expected to maintain “good moral character.” Meanwhile, at the clubhouse, local immigrant and Jewish families—“neighbors of alien race and faith,” per the WCTU—could learn to speak and read English or improve their elocution (I presume to lose their accents). Their children were inculcated with “patriotism and loyalty.”

I couldn’t determine when the Willard Settlement officially closed its doors. I did find Nellie Hill and Tillie Caswell in the 1930 U.S. census. The two women were living together and running a health resort for women in Lake Maitland, Florida. After Tillie’s death in 1938, Nellie returned to Groton, Mass.

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The MHS Education Team is in Our Revolutionary Era 

By Heather Wilson, Assistant Director for K-12 Learning 

As we approach the 250th anniversary of the start of the Revolutionary War, we are excited to announce the launch of four new primary source sets on topics set in the 1770s on the History Source! We were thrilled to spend the summer working with scholars and K-12 teachers to breathe new life into these historical topics, and teachers can download all materials to use in their classrooms for free! These four new source sets were made possible with funding from the MA Society of the Cincinnati. Read on for a brief description of our new sets. 

Investigating Multiple Perspectives on the Boston Massacre

several ships waving British flags approach a densely settled port with a long wharf and many church steeples in the background
In 1768, Paul Revere portrayed his anxiety over the arrival of “British ships of war landing their troops” in Boston. This print is a reproduction from 1868. 

The arrival of British troops in Boston in the fall of 1768 – dispatched to protect customs officials tasked with collecting duties put in place by the Townshend Acts – is the catalyst for this primary source set on the Boston Massacre. With this context, students then analyze visual and written propaganda created in the wake of the night of 5 March 1770. Teaching activities use witness testimonies from a diverse array of Bostonians to help students understand that people’s accounts of that night conflicted with one another and could be influenced by their existing social relationships and politics.   

The Evolving Legacy of Crispus Attucks: 1770-1863 

black ink on yellowed paper shows a line of soldiers shooting at a crowd and a Black man falling. Text around it reads: “Crispus Attucks, March 5th 1770, the day which history selects as the dawn of the American Revolution”
Broadside advertising an 1863 event during which abolitionists gathered to commemorate Crispus Attucks as a martyr, and the Boston Massacre as the “dawn of the American Revolution.”

According to a Boston newspaper a week after the Boston Massacre, Crispus Attucks, a Black and Indigenous formerly enslaved man, had been born in Framingham and was passing through Boston “in order to go for North Carolina” in his work as a sailor. Instead, Attucks was one of five victims killed by British soldiers on the night of 5 March 1770. Attucks’ role that night was contested. Some portrayed him as the instigator and leader, while others claimed he was merely a spectator. In his defense of the British soldiers, John Adams blamed Attucks for the Massacre, using only select witness testimony as evidence. In the mid-19th century, the Black abolitionist and historian William Cooper Nell revived the public memory of Attucks. Like Adams, he portrayed Attucks as the leader of the event, but in the heroic role of a martyr standing up against tyranny.  

Attucks was not the only person of color present in the streets of Boston that fateful night, even though Revere’s famous engraving depicts only white people at the scene. Witness testimony and depositions from the trial of the soldiers also include the words of Andrew (last name once known), a literate man enslaved by a member of the Sons of Liberty, and Newton Prince, a free Black lemon merchant and pastry chef who ultimately left Boston for London as a Loyalist. 

Boston 1773: Destruction of the Tea 

shriveled brown tea leaves sit inside a glass bottle that is closed up with a cork; cursive handwriting in brown ink on a yellowed paper is inside the bottle
The label on this glass bottle filled with loose tea leaves reads, “Tea that was gathered up on the shore of Dorchester Neck on the morning after the destruction of the three cargo’s, at Boston, December 17, 1773.”

December 16th of this year marks the 250th anniversary of the Boston Tea Party, or, as it was known at the time, the Destruction of the Tea. In this set, students explore broadsides, diary entries, artifacts, political cartoons, news articles and more to understand the wide variety of perspectives various stakeholders brought to the tea crisis. The set ends with the first three Coercive Acts, which Parliament enacted to punish and exert increased control over the rebellious colony. 

Massachusetts Loyalists: Revolution and Exile 

neat, large cursive handwriting on yellowed paper
On 29 September 1778, 11-year-old Eliza Byles wrote a letter to her aunts in Boston from Halifax, Nova Scotia, where her Loyalist family had fled in exile. Eliza was the daughter of Mather Byles, who had been the rector of Old North Church.

Following the end of the Seven Years’ War in 1763, British colonists in North America were proud to be part of such a vast empire. By 1775 – and following a series of protests against British tax policies – the first battles of the Revolutionary War had taken place in Massachusetts. However, not all colonists joined the Patriot cause. In this set, students explore who Loyalists were, why they maintained their allegiance to the British Crown, and what consequences they faced as a result.  

Many thanks to: Kate Bowen, Abigail Portu, G. Patrick O’Brien, PhD, Ben Remillard, PhD, J.L. Bell, and Serena Zabin, PhD, for their work as writing consultants and/or scholarly advisors on these source sets!

Check out all four sets on the History Source! 

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Disability in the Archives: Fairies or Workers?

By Meg Szydlik, Visitor Services Coordinator

Content warning: use of outdated but period-typical language to describe disabled individuals.

With this post, I am returning to my old stomping ground in the archives. I have written three previous blog posts focusing on the presence of disability in our archives which can be found here, here, and here. I wanted to dive into some more collection materials on the topic.

Poster with an image in the center of two girls next to a piano. They are both very small compared to the piano, but are dressed in classic 1870s dresses for an older girl and a little girl. On either side, there are images of different adventures children might be interested in contained in circles. Written above the image in the center are the words “Cassie and Victoria Foster/The Fairy Sisters” and beneath the image is written “Cassie. Now 10 years old. Weighs only 12 pounds” and “Victoria. Now 3 years old. Weighs only 6 pounds.” Between the two is another image of the 2 sisters together on a chair and below that it reads “SMALLEST PERSONS IN THE WORLD”
Cassie and Victoria Foster, The Fairy Sisters : Smallest Persons in the World, Poster based on drawing by A. Briggs, [Boston]: Clear & Co., [1873]

While looking at our online collections, I came across this poster advertising the “Fairy Sisters” in 1873. The two girls, named Cassie and Victoria Foster, were little people and were billed as the smallest people alive. Whether or not that was true, that was their claim to fame, and later that of their brother, Dudley. Both of the girls died tragically young of infections Victoria at 3 ½ and Cassie at 11. Dudley lived to 17 before dying of a heart condition. Their lives, and the way some people still talk about these performers, demonstrate the tendency of others to romanticize the exploitation these children experienced. Personally, I’m not convinced that a 3 ½ year old should be working in any capacity and I’m even less convinced when the work consists of being gawked at by strangers for their disability. However, it would be many years after all three of these children’s deaths that legislators would even sign the Coogan Act, a law intended to protect child performers.

Left: paper contract that reads “Statement of Contract with the Agent of the Fairy Sisters. (space for date) 1873. The amount to be paid the undersigned by the Management of the Fairy Sisters Exhibition for (space to write) is to be (space) dollars and (space) cents.” Right: business card that says “Fred Pickering” in the center and then “Agent to the Fairy Sisters Exhibition” in the bottom left corner and then “P.O. Address, 35 Old State House, Boston, Mass.” In the bottom right corner.
Business card for the Fairy Sisters agent and contract to sign with him to engage them as performers

The 19th and 20th centuries were full of labor strikes and gains, including laws limiting and prohibiting child labor. The 1908 pamphlet shown below outlines some of the restrictions for girls and women in the workforce, including hour restrictions, school requirements, and access to workers comp if injured on the job. Their lives were certainly not easy, but there were at least some protections. Others took up the fight against child labor as part of the general battle for labor rights. It’s hard to read about all the child labor fights and not think about how different the lives of child performers would have been had they been afforded the same opportunities, limited as they were for the impoverished mill worker children these pamphlets were given to. In fact, the entertainment industry is still exempt from a lot of the same child labor laws that govern virtually every other industry and it shows in the current boom of podcasts from grown-up child stars

Pamphlet against a dark grey background. The pamphlet reads “To Women and Girls who work in Massachusetts/Some facts from laws with concern you…/October 1908/If you are under 14 years of age you cannot work at all in a factory, laundry, workshop, dressmaker’s, tailor’s, or milliner’s establishment, store, or restaurant. You cannot do any work for pay in public school hours, or after 7 o’clock at night or before 6 o'clock in the morning./If you are 14 years old but under 16 years of age you cannot work in a factory, laundry, workshop, dressmaker’s, tailor’s, or milliner’s establishment, store, or restaurant, until you have given your employer an “age and schooling.”
The first page of the 1908 pamphlet outlining the rights of workers

Both the mill children and child circus performers lived brutal lives, but there was little romanticization of mill workers’ lives. In contrast, there was (and still is) a romanticization of circus and sideshow life. The lights! The glamour! Life on the road! They were loved by millions! What could they possibly have to complain about? That perspective fails to account for the rampant abuse in the industry. Being on display is not something many people are comfortable with, especially when they are not demonstrating a skill. A gymnastics showcase is a bit different than staring at someone because something about their body is non-normative and usually specifically disabled, whether it is microcephaly, dwarfism, or giantism. The objectification is made even worse by how young some of the people in the sideshow were.

Eventually laws were signed to protect disabled children including the 1975 Individuals with Disabilities Education Act (IDEA). Regardless, the Fairy Sisters and their brother should never have been sideshows as children. They should have been children and children only.

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Dickens the “literary Monster” comes to D.C.

By Gwen Fries, Adams Papers

In 1842, just shy of his thirtieth birthday, Charles Dickens undertook his first tour of America. He and his wife, Catherine, arrived in Boston in January. “I can give you no conception of my welcome here,” Dickens wrote on 31 January. “There never was a King or Emperor upon the Earth, so cheered, and followed by crowds, and entertained in Public at splendid balls and dinners, and waited on by public bodies and deputations of all kinds. . . . If I go out in a carriage, the crowd surround it and escort me home.”

Charles Francis Adams, son of John Quincy and Louisa Catherine Adams, concurred with Dickens’s summary, writing from Boston to his mother in D.C., “Society here is in a state of ferment at the appearance of Mr Dickens the celebrated Boz. He is lionized at a rate beyond the imagination of a moderate man to conceive.” Though his wife and children were ardent fans, Charles admitted, “I did not know before that Mr Dickens was so great a man but that is my fault in not keeping pace with the age.” He teasingly warned his parents to brace for impact because the whirlwind of Dickens was headed to Washington. (John Quincy seemed to do just that, cramming in a last-minute reading of The Pickwick Papers.)

Catherine Dickens, c. 1848 (NPG D35175)

Dickens stopped at New York City on his way south, where he made the acquaintance of prominent businessman (and host of the Knickerbocker group) Charles Augustus Davis. Davis enjoyed a twenty-year acquaintanceship with John Quincy Adams, and, at Dickens’s urging, he immediately set about laying the groundwork for an introduction.

Davis sent a flurry of letters to the Adams home pleading Dickens’s case: “I have seen much of him & I am charm’d with him— he is as delicate minded & pure in spirit as a Young Girl— I want him to know you & I will Esteem it a favor if you will allow me to give him a Letter to you— he will be most happy to make your personal acquaintance.” When this received no reply, he sent another, “He will take great pleasure in making your personal acquaintance and I am quite sure that you will find this pleasure mutual. for my own part I can only say that my intercourse with him is mark’d down as among the brightest & most agreable moments of my life.”

After Davis’s third imploring letter, Louisa responded that they should be glad to host Mr. Dickens and his lady.

On 10 March, his first morning in the capital, Dickens made it his mission to meet Adams. In his diary that night, Adams recorded, “Mr Charles Dickens and his wife called and left cards, and a Letter of introduction from Mr Charles A. Davis of New-York.” When Dickens found Adams was not home, he followed him to the House. “Mr Nathaniel Tallmadge one of the Senators from New-York, came into the house with Charles Dickens and called me out from my seat and introduced him to me.” The 30-year-old Dickens viewed 74-year-old Adams with a deep reverence—particularly for his abolitionist activities. In his Travels in America, Dickens not-so-subtly alludes to “An aged, grey-haired man, a lasting honour to the land that gave him birth, who has done good service to his country, as his forefathers did, and who will be remembered scores upon scores of years after the worms bred in its corruption are but so many grains of dust.”

Left: Charles Dickens, Frederic G. Kitton, 1842 (Bonhams)
Right: John Quincy Adams, Philip Haas, 1843 (National Portrait Gallery)

Louisa wrote to her daughter-in-law Abigail Brooks Adams to describe what happened next. Louisa invited the Dickenses “to take a seat in our Pew at Church and afterwards to dine with us sociably at 1/2 past 2. The invitation was declined; and I thought that I should see nothing more of the literary Monster. The day after; a Note was brought to me stating, that Mr. & Mrs. Dickens being very sorry that they were engaged out to dine; if it was agreeable to me they would come and take a Lunch at my Dinner, and thus have the honour to pay their respects to the family of Mr. Adams.”

John Quincy noted in his diary that, “They are so beset with civilities, and kind attentions, that they have not a moment of time to spare, and it was only by snatching an hour from other engagements that they could see us at all— Dickens’s fame has been acquired, by sundry novels and popular tales . . . more universally read perhaps than any other writer who ever put pen to paper— He came out in the January steamer to Boston, and his reception has transcended that of La-Fayette in 1824.”

The dinner was a success. Louisa wrote, “We had as pleasant an off hand dinner as you can well imagine— Dickens is an unpresuming lively and agreeable man, and seemed perfectly delighted with the coversation of his Host; and by the time they left us . . . you would have supposed we had been long acquainted.”

Dickens was equally impressed. To a friend in England, he wrote, “Adams is a fine old fellow—seventy-six years old, but with most surprising vigour, memory, readiness, and pluck.”

On their way out of the city, Charles and Catherine Dickens stopped to bid farewell to the Adamses. Catherine even asked John Quincy if he would write a poem for her, which he gladly did:

There is a greeting of the heart
Which words cannot reveal—
How, Lady, shall I then impart
The Sentiment I feel?

How, in one word combine the spell
Of joy and sorrow too;
And mark the bosom’s mingled swell
Of welcome!—and Adieu!

The Adams Papers editorial project at the Massachusetts Historical Society gratefully acknowledges the generous support of our sponsors. Major funding is provided by the National Endowment for the Humanities, the National Historical Publications and Records Commission, and the Packard Humanities Institute. The Florence Gould Foundation and a number of private donors also contribute critical support. All Adams Papers volumes are published by Harvard University Press.

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The Daniel Webster Statue in Antebellum Boston

By Michael Larmann, Doctoral Candidate, University of Montana

The past several years have sparked public debate on monuments and how they tell about our national story. Much of this debate has targeted southern confederate monuments following the American Civil War. While this debate might seem recent, Americans have been fighting over controversial monuments for a long time.

There is a monument in Boston, now largely forgotten, that divided the commonwealth before the Civil War. This bronze statue guards the front of the Massachusetts State House on Beacon Avenue. To the right of the main stairs, antebellum statesman Daniel Webster stands on a granite pedestal. In his right hand, the “Great Expounder” grasps a scroll, likely the U.S. Constitution that he swore to uphold during his long career as a congressman and Sectary of State. His left-hand rests upon bound fasces representing the Union he defended. I traveled to the Massachusetts Historical Society because I wanted to learn how this monument became a symbol of political strife during the Civil War era.

Photographs taken by Michael Larmann, Jun. 13, 2023 (unfortunately security measures prevent guests from getting any closer to the state house yard).

As indicated by this invitation issued to textile manufacturer Amos A. Lawrence, Boston was going to inaugurate Webster’s statue with a grand procession outside the State House on September 17, 1859. However, a Northeastern storm forced celebrations inside the nearby Boston Music Hall. The commonwealth re-inaugurated the statue on September 27th before a crowd of ten thousand people. Republican Governor Nathaniel P. Banks and Whig orator Edward Everett delivered speeches on Webster’s distinguished career.

Invitation, Amos A. Lawrence Papers, Box 11, Folder Sept. 1859, Ms. N-1559, MHS.

Not everyone in attendance, however, agreed that Webster was worthy of public commemoration. While Everett spoke, local abolitionists circulated petitions through the crowd to secure the statue’s removal. William Lloyd Garrison, Wendell Phillips, Lydia Maria Childs, and many others protested Webster’s late support for the Fugitive Slave Law of 1850. A Webster monument, they contended, bestowed “no honor to the state” and was “repugnant to the moral sense of the people.”[1]

According to abolitionists, the Webster monument represented the Cotton Whigs and commercial elites on State Street, who relied on slave-produced commodities. The Webster Memorial Committee included the most affluent and influential men in antebellum Massachusetts. George Ticknor Curtis, the judge who enforced the Fugitive Slave Law against Thomas Sims in 1851, was the committee secretary. He submitted this bound volume of the committee’s records to the MHS which listed the one hundred members and their activities.

Webster Memorial Committee Records, 1852-1860, Ms. N-100, MHS

Committee members also included conservative politicians such as Edward Everett, textile manufacturers including Nathan Appleton, and banking agents such as Thomas W. Ward. After looking through these individuals’ papers at the MHS, it became clear that the elite’s commemoration of Webster aligned with their conservative politics and economic dependence on slavery. Many of the committee members publicly supported Webster’s “Seventh of March” Speech in 1850 because they saw the Union as essential to their political views and economic interests.

With growing anti-slavery sentiments in the 1850s, it may seem surprising that the Webster’s statue remains standing in 2023. John Brown’s raid on Harper’s Ferry on October 16, 1859, southern secession, and the coming of the Civil War pushed the Webster monument far from the public mind.

Today, security precautions prevent the public from viewing Webster’s statue up close, but we can still learn a great deal from it as a historical source. The monument demonstrates that Americans have been engaging in the politics of commemoration long before us. While controversial statues have become a hot topic, this discussion predates our contemporary political situation. In addition to southern monuments of enslavers and confederate soldiers, there are also problematic statues in the North of individuals like Daniel Webster who made controversial compromises over slavery.

Adding even greater complexity, the Webster Memorial Committee possessed their own political, legal, and economic ties to slavery. The politics of commemoration was not solely about the final product, but also the process of erecting the monument itself. People understood these monuments as reflections of their communities’ values, which often led to conflict. When viewed as historical sources, these statues can reveal the contentious nature of American democracy both past and present.

Drawing of the statue of Daniel Webster in Harper’s Weekly. “The Webster Statue,” Harper’s Weekly 3. No. 144 (Oct. 1, 1859): 628.

[1] “The Inauguration of the Webster Statue,” Liberator (Boston, MA), Sep. 16, 1859.

Posted in From Our Collections, Research fellow

“Our National Thanksgiving”

By Rakashi Chand, Reading Room Supervisor

Sarah Josepha Hale has more to do with our everyday lives than we realize. The author of ‘Mary had a Little Lamb’, Hale influenced American culture as Editor of Godey’s Lady’s Book encouraging the education of women and the abolition of slavery, but also convincing America to wear white wedding dresses and put Christmas trees in their living rooms. She used her power of persuasion to raise money to maintain historic sites including Mount Vernon and the Bunker Hill Monument in Massachusetts. But her personal mission was to unify the nation with the creation of an annual National Thanksgiving.

Sarah Josepha Hale, Massachusetts Historical Society

Hale described the ideal Thanksgiving in her 1827 novel, Northwood :

“The roasted turkey took precedence on this occasion, being placed at the head of the table; and well did it become its lordly station, sending forth the rich odour of its savoury stuffing, and finely covered with the frost of the basting…

… bowls of gravy and plates of vegetables disposed in that quarter.

…. There was a huge plumb pudding, custards, and pies of every name and description ever known in Yankee land; yet the pumpkin pie occupied the most distinguished niche. There were also several kinds of rich cake, and a variety of sweetmeats and fruits. On the sideboard was ranged a goodly number of decanters and bottles; the former filled with currant Wine and the latter with excellent cider and ginger beer…”

Northwood by Sarah Josepha Hale 1827.

The description may seem iconic now, but this was a new idea for the generation she was trying to convince. In New England, ‘Thanksgivings’ were often held to mark an occasion, a practice unknown in other parts of the country, but one Hale grew up with in New Hampshire.

Due to increasing polarization across the country, Hale felt a ‘National Thanksgiving’ could bring people together. With the onset of the Civil War Hale determined that a day of Thanksgiving was needed more than ever. Those who she could not influence through her published works or magazine she sought to convince with personal letters. Hale wrote letter after letter determined to have the whole country celebrate together.

On 28 September 1863, Hale wrote a letter to Pres. Abraham Lincoln, urging him that our divided nation needed a day of unity and peace.

Private

Philadelphia, September 28, 1863

Sir,

             Permit me as Editor of the “Lady’s Book”, to request a few minutes of your precious time while laying before you a subject of deep interest to myself and – as I trust even to the President of our Republic, of some importance. This subject is to have the day of our Annual Thanksgiving Made a National and fixed Union Festival.

You may have observed that for some years past, there has been an increasing interest felt in our land to have the Thanksgiving held on the same day in all the States; it now needs National recognition and authoritative fixation only, to become permanently, an American custom and institution…

Lincoln proclaimed 26 November 1863 to be a National Day of Thanksgiving, but Hale wanted this to be an annual tradition, not a single incident. For that reason she continued her letter-writing campaign.

Hale wrote to George Washington Warren on 3 May 1877, asking him to write a resolution for a National Annual Thanksgiving.

Sarah J. Hale to George Washington Warren, May 3, 1877. George Washington Warren Papers at the Massachusetts Historical Society.

(Rough transcription)

1413 Locust St.

                                                                                Philadelphia May 3 77-

G. Washington Warren,

                                Dear Sir,

I regret that your welcome letter has been so long unanswered- I have not been able to write, on account of the weakness of my eyes and I am still obliged to employ an amanuensis.

                                I am deeply indebted to you for your efforts to help me in our National Thanksgiving – will not this extra session of Congress furnish a good opportunity to present the subject? Nothing is needed but a Resolution of Congress making the last Thursday in November a legal holiday, for a National Thanksgiving, and making it [incumbent] on the President of the United States to issue a proclamation to that effect.

                                You would greatly oblige me if you would draw up this resolution, put it in the hands of your friends in the Massachusetts delegation and urge them to bring it forward at this extra Session if possible. Massachusetts was the first state to appoint a Thanksgiving, and her sons should make it National.

If you should draw up this Resolution, will you favor me with a copy?

I am much pleased with the manner in which you have treated this effort of mine, in your History of the Bunker Hill Monument, and hope much from your sympathy and assistance.

                                I have yet seen your daughter but hope to have the pleasure during her stay in Philadelphia.

                                I enclose an article written for the Ladys Book, for Last November, on the subject of a  ‘National Thanksgiving’ .

                                                                                                Yours Truly-

                                                                                               Sarah J. Hale-

                                                                                                By F. A. [Ghenter]

In the end, the holiday Hale worked tirelessly to create was a day of Peace and Unity. Hale set the table to bring us all together, and for that, we give thanks. And in my opinion, she also gave us the best meal of the year.

For another perspective on Lincoln’s proclamation and the first National Thanksgiving on 26 November 1863, please read this blogpost: Thanksgiving in London | Beehive (masshist.org)

Further reading:

Godey’s Lady’s Book or Godey’s Magazine available the Massachusetts Historical Society

How the ‘Mother of Thanksgiving’ Lobbied Abraham Lincoln to Proclaim the National Holiday | HISTORY

Lincoln and Thanksgiving – Lincoln Home National Historic Site (U.S. National Park Service) (nps.gov)

Abraham Lincoln’s Proclamation of Thanksgiving | American Battlefield Trust (battlefields.org)

Biography: Sarah Josepha Hale (womenshistory.org)

Posted in From Our Collections

Apples and the MHS

By Hannah Elder, Associate Reference Librarian for Rights and Reproductions

This week, millions of Americans will be making pies for their families to share during Thanksgiving. Be it pumpkin, pecan, or lemon meringue, all will be delicious. Or at least we can hope they will be! The past few years, I’ve given myself the task of mastering the apple pie. As I learned while researching my last food-related post, apple pies have their origins in England and came to the future United States with English colonists and their cookbooks.[1] The apples themselves came with the colonists, too, though they originated in central Asia.[2] Today, apple pie is one of the most popular pies (at least anecdotally) and is inexorably linked with American identity. With this in mind, I decided to look through our collection to find our holdings related to apples.

The first, fittingly, is an engraving entitled The portraits of George Washington & John Adams by the artist John Scoles. It depicts the United States as an apple tree, with the states as apples and initials for Washington and Adams, the first president and vice-president, supporting the trunk. This graphic makes it clear that the states are the fruits of the founders’ labor.

The portraits of George Washington & John Adams by John Scoles

The next is a list of apple trees compiled by wainwright Isaac Howard in his account book. The volume is mostly a record of Howard’s work repairing and building wagons, but the last page is a list of the kinds of apples grown at the east end of, presumably, Howard’s property. It reads:

Names of Apple Trees begining [sic] at East end
No 1 D. Russet
      2 Red Baldwin
      3 Tower of Glemis
      4 Jonathan
      5 Spitzerbury
      6 Porter
      7 Golden Pippen

Isaac Howard account book

I only knew one of these apples and it made me wonder which varieties on this list are still around today. What would the taste like? Would they be good for eating or cooking? Or were they cider apples?

If Howard wanted to cook his apples (and if he could wait 80 years for its publication), he could turn to L. Gertrude Mackay’s Housekeeper’s apple book, a cookbook devoted to 197 recipes for apples. Distributed by the Advertising Committee of the International Apple Shippers’ Association, it is very pro-apple. It begins with two pages extolling the benefits of apples (They are easily prepared! You can save money by buying in bulk!) and then launches into the recipes. The dishes skew towards the sweet, but there are truly enough there to keep you fed for a whole day. Start your day with an Apple Omelet, make Stuffed Apples to Serve with Toast for lunch, serve Sausages and Fried Apples for dinner, and end your day with Apple Sherbet or Apple Taffy.

L. Gertrude Mackay’s Housekeeper’s apple book
L. Gertrude Mackay’s Housekeeper’s apple book

And if Howard didn’t want to cook his apples, he could always make cider. The MHS holds several manuals on making cider and accounts of making cider. There’s also this photograph of men working at Kendall’s Mills in Windham, New Hampshire in 1921.

Cider making, Kendall’s Mills, Windham, N.H., before 1921

The last item to share is a portrait of a woman known as Apple Mary. An enigmatic figure, she apparently sold apples on the Boston Common some time in the 1870s. I tried to do a bit of quick research on her, but all I’ve turned up so far are similar portraits from other Boston archives. I hope to do more research on her and will report back if I find anything!

“Apple Mary,” Boston Common

So, how about them apples? Have any of these objects caused interest to bloom or become the apple of your eye? I’m sure I’ve only just scratched the surface of our apple-related holdings, so please do schedule an appointment and come visit the library for more fruity findings of your own!

[1] Keith Stavely and Kathleen Fitzgerald, United Tastes: The Making of the First American Cookbook (University of Massachusetts Press, 2017).

[2] Alie Ward, interview with Susan K. Brown, Ologies, podcast audio, October 18, 2023, https://www.alieward.com/ologies/pomology.

Posted in From Our Collections

The MHS Welcomes Back Another Year of National History Day in Massachusetts!  

By Simbrit Paskins, Student Programs Coordinator

The 2024 National History Day Season Is Upon Us
In Massachusetts, students across the state in grade 6-12 gear up for History Day project presentations and statewide contests! While many students will present their best work at in-house, school-day history showcases, many other students are in preparation mode for the upcoming NHD competition, of which thousands of students across the country are also preparing!

This Year’s National Theme Is “Turning Points in History”
The theme prompts students to think about an idea, event, or action that directly, or sometimes indirectly, causes change. While students are currently digging deep into related research and project planning, young scholars from across the commonwealth will soon be excited and eager to present their work to the community and to their peers! 

Volunteer Judges Are An Essential Part of NHD
In 2024, the MHS will host 3 Regional Competitions in Leicester, Stoneham, and Foxborough, MA, and 1 State competition in Winchester, MA. We anticipate strong student participation in the new year, and will need the support of community members who are willing to volunteer their time on contest day as NHD Judges. 

On contest day, judges work in teams to review entries in a specific category, interview students, and provide written feedback notes. Many students refer to these notes and to their judging experience to make recommended edits and improvements to their projects, whether they are moving on to the state contest or planning to compete again in the next year. Judges also help select which projects advance from the Regional to State competition.  

You don’t need to be an historian to be an amazing NHD judge or to contribute to a positive and memorable student experience. We provide a judging orientation and other training materials so that volunteers feel prepared to judge on contest day. For more information on judging at a local contest, please fill out our “2024 Judge Interest Form” and visit our website here. 

About National History Day
As described by the National History Day Organization, “National History Day® (NHD) is an educational nonprofit organization that engages teachers and students in historical research. The mission of NHD is to improve the teaching and learning of history in middle and high school through an innovative framework of historical inquiry and research. Students learn history by selecting topics of interest, launching into year-long research projects, and presenting their findings through creative approaches and media.” ( NHD 2024 Theme Book, “What Is National History Day?”, https://nhd.org/wp-content/uploads/2023/07/NHD-2024-Theme-Book-FINAL-UPDATED-web.pdf, Accessed: 11/15/23) 

Last year, over 600 students in MA participated in NHD in MA! With the support of local educators, parents and guardians, sports coaches, after school program coordinators, and the Massachusetts Historical Society, middle and high school students across the state created thoughtful, research-based, and informative History Day projects. We can’t wait to see what new and exciting work students are getting into in the upcoming 2024 season! 

Save the Date!

Saturday, March 2, 2024 

  • Stoneham Regional Competition: Stoneham Central Middle School (149 Franklin Street Stoneham, MA 02180). Contest Coordinator: Paula Sampson, psampson@masshist.org. 
  • Foxborough Regional Competition: Foxborough High School (120 South St, Foxborough, MA 02035). Contest Coordinator: Leah Cardullo, mhdsouthshore@gmail.com. 

Sunday, March 10, 2024 

  • Leicester Regional Competition: Leicester Middle School (174 Paxton St Leicester MA). Contest Coordinator: Norman Everett, centralwestnhdma@gmail.org. 

Saturday, April 6, 2024 

  • Massachusetts State Competition: Winchester High School (80 Skillings Road, Winchester, MA 01890). Contest Coordinator: Simbrit Paskins, nhd@masshist.org. 

Resource Links: 

  • To stay connected with “All Things NHD” please join our newsletter by clicking here . 
  • Want to volunteer as a judge? Click here to complete the “2024 Judge Interest Form”. 
Posted in MHS News

How Do You Solve a Problem Like… Modern Records?

By Susan Martin, Senior Processing Archivist

The Massachusetts Historical Society is well-known for its colonial, Revolutionary War, early presidential, and Civil War collections. But did you know that we collect up to the present day?

The MHS’s modern collections (dating from the late 20th and early 21st centuries) are usually larger—sometimes much larger—than older collections. For example, the Massachusetts Audubon Society records fill 121 record cartons, 11 document boxes, and 5 oversize boxes. The records of the ACLU of Massachusetts take up nearly 100 cartons and more. And because both organizations are still operating, we expect future deposits. With a permanent processing team of only 3 ½ people, you can imagine how hard it is to stay on top of all the material we acquire.

In order to process large modern collections, reduce the backlog, and make papers available to researchers more quickly, MHS archivists have been selectively implementing the “more product, less process” (MPLP) approach. MPLP dates back to an article by Mark A. Greene and Dennis Meissner published in The American Archivist in 2005. Greene and Meissner advocated for minimal processing where possible to provide faster access to more collections.

Traditional processing is very time-consuming. It usually involves arranging individual pieces of paper in chronological order, removing metal fasteners, replacing folders, relabeling folders, and other tasks intended to help researchers find what they’re looking for and to preserve papers for the long term. However, too many collections end up sitting in storage because we simply don’t have the time or staff to process them at this level.

According to Greene and Meissner, if a collection arrives at a repository in decent condition and reasonably well organized, archivists should be able to make it available in a fraction of the time. For example, take this carton of papers that came to the MHS well-arranged and identified.

Carton of unprocessed papers in folders with labels

Some labels have fallen off, some folders are overstuffed, and related materials are separated and out of sequence, but with minimal work, this collection could be given to a researcher in a matter of days, rather than weeks, months, or even years. We might retain the original folders, move some of them around, write up a folder list, and voila!

I’m very happy to highlight a number of collections that were part of the MHS backlog for some time, but have now been made available thanks to MPLP. These include the Americans for Democratic Action, Massachusetts Chapter records (acquired in 1976); the Pan American Society of New England records (acquired in 2000); and the Ben and Jane Thompson Faneuil Hall Marketplace records (acquired in 2003 and 2005). We’ve also applied MPLP principles to newly acquired collections so they’re never added to the backlog at all, such as the Ticknor Society records (acquired earlier this year).

There are some legitimate concerns about the use of MPLP in archives. First, modern records often contain personally identifiable information (PII), such as social security numbers, and other private data on living people. Archivists are bound by law and professional ethics to protect individuals who may be harmed by information in our collections. We remove or redact PII from all collections, regardless of processing level.

Second, while rusty staples and paper clips and acidic newspaper clippings do damage papers, the most important intervention for long-term preservation is temperature and humidity control. Under cool and dry conditions, a collection can be stabilized and protected from further deterioration, even in less-than-ideal enclosures.

Lastly, MPLP works best with organizational records, but less well with collections of personal or family papers, especially the ones that come to us looking like this!

Carton of unprocessed papers in original envelopes

Archivists at the MHS are piloting various approaches and running time trials, and these techniques will continue to be assessed. Processing methods range along a spectrum from minimal to comprehensive, and each collection has different needs. The “more product, less process” approach not only buys us time, so that we can return to a collection later if necessary, but also allows us to make as much material as possible available to our researchers right now.

Posted in From Our Collections

Presidential Photographs

By Heather Rockwood, Communications Manager

Did you know that the Massachusetts Historical Society’s collection contains something from almost every president of the United States—a signature, letter, photograph, lock of hair, or other form of memorabilia? I did not know that before I started working at the MHS, but I find it fascinating and often look through the collection guide of Presidential Letters. I especially love the photographs of the presidents.

Starting with two of my personal favorites, and the oldest one in the MHS collection, this photograph of John Quincy Adams was printed after 1860, but the original photograph, a daguerreotype, was taken in 1847, when JQA was 80 years old. My second favorite photograph is also the second oldest in the collection. It’s of Abraham Lincoln, whose photograph is represented in the collection several times, but this one is the most iconic.

Color photograph of two photographs side by side. Both are of older white men. On the left, the man has white hair, bald on top, and he wears a black suit jacket, black cravat, and white shirt. On the right the man has salt and pepper hair, and he wears a black suit jacket, black bow tie, and white high-collared shirt. Both men are looking at the viewer.
Left: Carte de visite of daguerreotype by Brady’s National Photographic Portrait Galleries, after 1860. Right: Photomechanical after photograph by Alexander Gardner, Washington DC, 8 November 1863.

The next two photographs interest me because they were taken outdoors. On the left is Ulysses S. Grant and his wife Julia, with Orville E. Babcock, Grant’s secretary, and Babcock’s wife Annie, Miss Cambell, her sister, and Miss Barnes all on Martha’s Vineyard. On the right is Theodore Roosevelt taking a jump on his horse.

Color photograph of two black and white photographs side by side. On the left are 6 figures, 2 white men and 4 white women, standing in front of a building, some on a porch. The women are in black 19th century dresses and hats with styled hair, and several are wearing necklaces. The men are in dark suits and vests with white shirts. There is a large railing between some of the figures, some in front, some behind. On the right is a middle-aged man on horseback while his horse jumps over a crude wooden fence. He is dressed in leather boots, light colored pants, dark jacket, and a white shirt with a tie. He wears a hat and glasses. His face is serene despite the action he is taking, and he looks at the viewer. The horse is dark and behind the man and horse are some trees in the background far away.
Left: Photograph, stereograph by R. G. Shute. Right: Photograph, May 1902.

The last two photographs are more about family and our Massachusetts senator Leverett Saltonstall (1892–1979). On the left are Jacqueline and John F. Kennedy, shaking hands with Leverett Saltonstall just off camera, and on the right is Dwight Eisenhower and his family—David, Barbara Ann, Susan, and Mamie—with Leverett Saltonstall.

Left: Black and white photograph by Charles McCormick/Boston Globe. Right: Black and white photograph, March 1954.
Posted in From Our Collections