Diary of John Quincy Adams, volume 2
1787-03-20
Lines, upon the late proceedings of the College Government.
Jamessaw twould be in vain t'oppose,
Read, with his two enormous eyes
Burr, who has little wit or pride,
This afternoon Dr. Welch, and Deacon Smith came up from Boston, and were here about half an hour: This evening we danced for the last Time, at Lovell's chamber. After which I was some time at Mead's.
182Since its publication in Benjamin Homer Hall's A Collection of College Words and Customs, Cambridge, 1856, the first known printed version, this poem has been attributed to JQA, partly because JQA's Diary entry is still the only known contemporary MS version. Hall claimed that he published the poem “from a MS. in the author's
A partial answer for these doubts may come from another copy of the poem, transcribed in the late 19th century and among the Charles Grenfill Washburn papers at the American Antiquarian Society. (See also Harvard Graduates' Magazine, 26:343–344 [Dec. 1917].) Unlike Hall's version, which was a looser rendition containing freer punctuation and many small word changes, the Washburn copy is a truer, though far from an exact, reproduction of JQA's, or JQA's version as published in the late 19th century by HA (“Harvard College. 1786–1787,” in Historical Essays, N.Y., 1891, p. 118–121). In an endnote to the Washburn transcription the poem is assigned to “J. Q. Adams and J. M. Forbes, March 1787” Such a collaborative effort was not impossible. JQA described Forbes as having “an uncommon share of wit” and a classmate who “always found his fellow students ready to laugh at his satirical wit”; he had been a close friend since JQA entered college (entry for 28 March, below). Moreover, the two remained friends well past their college days, both studying law and practicing their profession in Boston, and eventually leaving their country for foreign service. So, while the Washburn copy sheds no new authoritative light on the authorship of “The Late Proceedings,” it provides a clue, albeit unsubstantiated, which may better explain JQA's role in the poem's development.