The Mysteries of the Elisha W. Smith, Jr. Logbook, 1853-1857: Part II
By Andrea Cronin, Reader Services
In a prior blog post I discussed a note on the inside cover of the logbook of the schooners Flying Dragon (1853) and William Freeman (1857), which identified the log keeper as Elisha W. Smith. This particular logbook contains a mystifying collection of logs, sketches, poems, engravings, and literary clippings. The engravings caught my attention with the bright crayon colors. A scrapbooker clipped, hand-colored, and pasted images into this logbook. Intrigued by the scrapbook curation, I hoped that identifying the engravings would tell me when the creator fashioned this curious assemblage.
After coming up empty searching Google Books and Internet Archive for the poems and literary clippings within the volume, I examined the engravings in closer detail. The informative images depict locations such as the White Mountains and Lapland and highlight the creator’s clear interest in travel. Other selections within include maps, images of sailing ships, more distant locations and depictions of native peoples.
Then I spotted a timeworn masthead of a literary magazine pasted under the engraving of travelling Laplanders. Through the wear and tear I could clearly read the words “Gleason” and “Companion.” The Gleason’s Literary Companion masthead appeared several times in the scrapbook. The inclusion of an official “citation” made my day. I researched the Literary Companion and found that Frederick Gleason published this literary magazine from his Boston home near Franklin Park from 1860 to 1870. He also published several other pictorial magazines during his career. The MHS does not hold Gleason’s Literary Company but does hold Gleason’s Pictorial Drawing-room Companion (1851) and several of Gleason’s engravings.
Satisfied that I had discovered the origin of the engravings, I remained curious about the scrapbook’s creator. Who put the care into selecting, coloring, and pasting these images into the logbook? In my final post, I will delve into discovering the scrapbooker’s identity.
| Published: Friday, 19 September, 2014, 1:00 AM
The Art of Ludvig Sandöe Ipsen
By Susan Martin, Collection Services
On 27 January 1880, the Apollo Club of Boston, an all-male chorus, performed Mendelssohn’s Oedipus at Colonus at the Boston Music Hall. The program for that concert featured this beautiful design by Danish illustrator Ludvig Sandöe Ipsen (1840-1920). It is one of the 51 black-and-white ink illustrations that make up part of the Apollo Club records, on deposit here at the MHS since 2012.
The Apollo Club was founded in 1871, incorporated in 1873, and is still going strong. In fact, it is Boston’s oldest active male chorus and the second oldest continuously active male singing group in the country. Throughout its long history, the club has performed at many notable occasions, including the funeral of Massachusetts Senator Charles Sumner in 1874, the centennial celebration of the Battle of Bunker Hill in 1875, and the memorial service for President William McKinley in 1901.
Arthur Reed, the club’s first secretary, commissioned Ludvig S. Ipsen to design covers and page details for concert programs and publications. Ipsen was quite a “get” for the Apollo Club. After training as an architect in Copenhagen (not to mention serving in the Danish Army engineer corps during the Second Schleswig-Holstein War), he had immigrated to the United States in 1867 and soon made a name for himself in Boston as a designer of book covers, book plates, posters, etc. His illustrations appeared in volumes by Henry Wadsworth Longfellow, Sir Walter Scott, Mark Twain, and Nathaniel Hawthorne, but arguably his most important and best-known work was the illustrated edition of Elizabeth Barrett Browning’s Sonnets from the Portuguese published in 1886.
Ipsen designed 130 program covers for the Apollo Club over 23 years. His illustrations include historical and mythological figures, as well as musical instruments and notes, trees and flowers, cherubs, birds, ribbons, seascapes, etc., all carefully composed and depicted in amazing detail.
Ipsen also designed the Apollo Club seal, still used by the organization today.
Many memorials of Ipsen and reviews of his illustrations note that he worked at a time when advances in printing technology made the reproduction of images faster and cheaper, and original hand-drawn artwork for mass-produced books was in decline. But Ipsen found a receptive audience in the Apollo Club, and the result is a beautiful and skillful synthesis of music and art.
| Published: Wednesday, 17 September, 2014, 1:00 AM
This Week @ MHS
Calling all graduate students!
Are you studying American history or some other related subject? Are you interested in meeting fellow students and faculty members who work in your field? Then consider attending a special Graduate Student Reception at the Massachusetts Historical Society this week. Beginning at 6:00PM on Thursday, 18 September, this event is a great way to network with your peers in the area, tour our historic building at 1154 Boylston Street, and to learn about the range of resources available to support your work, including MHS fellowship programs. This event is free for graduate students and faculty members, though RSVP required by September 17. Email email@example.com or phone 617-646-0568 with your name and affiliation. Indicate whether you are a graduate student or faculty member. We hope to see you there!
Also at the Society this week, we continue our exhibition of World War I photographs, letters and memorabilia with "Letters and Photographs from the Battle Country: Massachusetts Women in World War I." As always, the exhibit is open Monday - Saturday, 10:00AM - 4:00PM, free of charge. And on Saturday, 20 September, stop by at 10:00AM for "The History and Collections of the MHS," a free 90-minute tour of the Society's building. The tour is free and open to the public. No reservation is required for individuals or small groups. Parties of 8 or more should contact the MHS prior to attending a tour. For more information please contact Curator of Art Anne Bentley at 617-646-0508 firstname.lastname@example.org.
| Published: Saturday, 13 September, 2014, 5:31 PM
The Western Front Recedes: The St Mihiel Operation
In the autumn of 1918, the Great War in Europe was nearing its termination after four years of fighting. Beginning in August of that year, the Allies launched what became known as the Hundred Days Offensive, a series of attacks against the Central Powers which pushed the Western Front and the German lines out of France and, ultimately, resulted in an armistice. One such two-day offensive occurred near the French town of St. Mihiel on 12-13 September. The action was carried out by the 26th Infantry Division under the command of Maj. Gen. Clarence R. Edwards.
The 26th was formed by Edwards in the summer of 1917 and the first units of the Yankee Division sailed in September, “the first fully formed American division in France.” Over the next several months the division undertook training in France with their English and French counterparts so that they could acclimate to life in trenches and amidst hostile fire.
Fast forward to September 1918. Edwards and his division were in the area of St. Mihiel as a result of several months of fighting on the move in the northeast of France. Despite the rain and mud that slowed down some units from reaching their start line the night before the offensive, “the attack came off without any major hitch, following a tremendous artillery barrage during the early morning hours of September 12, 1918.”
Here at the Society are the Clarence Ransom Edwards papers, within which are several reports providing details about the operations performed by the 26th Division. One intelligence report, dated September 11 to September 12th, 1918, 16 o’clock to 16 o’clock, states that
The enemy, surprised by our attack, and with all communication to the rear out by our artillery fire, offered what resistance he could during the day, chiefly with his machine guns. In the open country the resistance was very weak. In the woods his machine gun nests proved fairly effective. The first day’s objective was reached before 22 o’clock.
These intelligence summaries, along with correspondence, memoranda, and other materials in the Edwards papers provide detailed insight into some of the operations of the “war to end all wars” and also highlight some of the personal drama between Edwards and his military colleagues. If you would like to learn more, visit the MHS library and see them for yourself!
-Shay, Michael E., Revered Commander, Maligned General: The Life of Clarence Ransom Edwards, 1859-1931. Columbia: University of Missouri Press, c.2011.
| Published: Saturday, 13 September, 2014, 5:18 PM
This Week @ MHS
It seems that summer is trying to reassert itself here in September but it is quiet and cool at the MHS. There is but one public program on the calendar this week in the form of a Brown Bag lunch talk on Wednesday, 10 September. Come by at noon for "Sculpting the Citizen Soldier: Civil War Memory and the Life Cycle of Monuments," presented by short-term research fellow Sarah Beetham, University of Delaware. In this talk, Dr. Beetham will explore how Civil War citizen soldier monuments have factored into community life in the century and a half since the war’s end. Soldier monuments have been interpreted and interpreted, vandalized and hit by cars, amended and moved to new locations. How do these interventions affect our understanding of post-Civil War memory? This talk is open to the public free of charge.
There is also a free tour this week on Saturday, 13 September, starting at 10:00AM. "The History and Collections of the MHS" is a 90-minute, docent-led tour that allows visitors to see all of the public spaces at the Society while learning about the art, architecture, history, and collections in the building at 1154 Boylston. The tour is free and open to the public with no reservations required for individuals or small groups. However, groups of 8 or more should contact the MHS before attending the tour. For more information, please contact Curator of Art Anne Bentley at 617-646-0508 or email@example.com.
And while this September is pretty quiet here at the MHS, seminar season is nearly upon us. Be sure to keep an eye on the online events calendar to see all of the public events on tap later this month and into October.
| Published: Sunday, 7 September, 2014, 12:00 PM