ca. 1910-1930
Guide to the Photograph Collection
Restrictions on Access
Use of the originals is restricted. This collection is available as color digital facsimiles (see links below).
Abstract
The Arthur Asahel Shurcliff collection of glass lantern slides, ca. 1910-1930, consists of 1,295 glass lantern slides.
Biographical Sketch
Arthur A. Shurcliff (1870-1957) was born Arthur Asahel Shurtleff in Boston, Massachusetts. In 1930 he changed his name to Shurcliff to conform to the old English spelling. He began his career in 1894 with an engineering degree from the Massachusetts Institute of Technology. In the course of his studies, he met the aging Frederick Law Olmsted (1822-1903), with whom he developed a warm friendship and whose advice prompted him to undertake two years of graduate work in landscape architecture at Harvard College. Upon the completion of his graduate studies, in 1896, he was employed by Olmsted, and three years later, the pair co-founded the first four-year course in landscape architecture at Harvard College.
Upon Olmsted's death in 1903, Shurcliff completed much of the work left outstanding and, in 1905, opened his own offices, carrying on Olmsted's work in the planning and development of Metropolitan Boston. He became an active member of the Metropolitan Planning Board, the Metropolitan District Commission, the Boston Parks Commission, and the Boston Planning Board. He was in charge of developing the landscaping for Colonial Williamsburg, Virginia; developed the plans for the Plymouth Rock Shrine at Plymouth, Massachusetts; and was a consultant for the development of Old Sturbridge Village, Massachusetts, a reconstructed Federalist-period New England town. In addition, he was a consultant to many private individuals, including Albert Cheney Wells, J. G. Deering, and Nelson Rockefeller.
Collection Description
Arthur A. Shurcliff built this collection of 1,295 glass lantern slides depicting maps, plans, cityscapes, buildings, and more. Many of these slides illustrate his work, chiefly in the Boston metropolitan area. While some of them appear to have been made for the purpose of recording existing landscapes and parkways, both in North America and Europe, others, which record scenes in the Near East, Asia, and the Western United States, appear to have been made for personal pleasure. Some slides reproduce paintings, graphs, maps, charts, and plans illustrating various aspects of urban growth and city planning, such as population trends and automobile traffic statistics, while others contain aerial views of cities and parkways. Both the content and the arrangement of the slides suggest that Shurcliff may have used them for illustrated lectures before various planning boards, classes, or special interest groups.
In general, it is not discernible if the image on a given slide was created by Shurcliff himself; this collection contains an often unlabeled mix of amateur and commercial images. However, as Shurcliff discusses creating slides and visiting sites to take photos in his diary, it can be assumed that he took the bulk of the photographs himself. Most captions were adapted from labels affixed to each slide by Shurcliff, when available. In instances where the labels were missing or defective, the caption was supplied by the archivist.
Arrangement
The lantern slides in the collection have had two numbering schemes over time, thus two numbers can be seen on each slide enclosure. Likely due to an error during the renumbering process, there is no slide numbered 700. In 1985, 879 of the lantern slides were microfilmed. The list below includes all of the lantern slides and replaces a typescript guide to the microfilm edition. The lantern slides were digitized in 2018.
Acquisition Information
Removed from the Arthur Asahel Shurcliff Papers. Gift of Alice W. Shurcliff, Sidney N. Shurcliff, William A. Shurcliff, John P. Shurcliff, Mrs. Francis P. Lowell (Elizabeth Shurcliff) and Mrs. Franz J. Ingelfinger (Sarah P. Shurcliff), May 1969.
Restrictions on Access
Use of the originals is restricted. This collection is available as color digital facsimiles (see links below).
Other Formats
This collection is available as color digital facsimiles.