By Elaine Grublin
Last night I eagerly watched as American Experience debuted “Death and the Civil War,” a documentary film based on the remarkable This Republic of Suffering (New York: Alfred A. Knopf, 2008) by Drew Gilpin Faust. My eagerness was generated in part by my personal interest in the Civil War, and in part because this past spring I had the pleasure of working with Emmy Award winning documentary filmmaker Ric Burns and a wonderful production team from Steeplechase Films when they visited the MHS to work on this project. I assisted them in selecting documents and artifacts for filming and had the special opportunity of supervising the filming process in the Society’s Dowse Library. What an eye opening experience! Seeing the care and time invested in the selection and filming, all the while knowing the MHS material only represented a small portion of the total material needed for the two hour film, left me with a deeper appreciation for those that research and create documentary films.
So last night, I was anxious to see which MHS materials made the final cut and was thrilled to see a large number of our resources were used
to tell portions of the story. MHS materials feature prominently in two segments of the film. In the segment “Dying” a letter written by Wilder Dwight to his mother Elizabeth Dwight (available on our website), begun “in the saddle” at the opening of the Battle of Antietam and finished as he lay mortally wounded on that field, is read aloud while the letter and a photograph of Dwight are featured on screen.
Later in the film the story of Nathaniel Bowditch, a Massachusetts soldier mortally wounded at the Battle of Kelly’s Ford, and his father Henry Bowditch, who championed improvement of the ambulance service available to soldiers after the death of his son, weaves through the segment “Naming.” This segment includes images of both Nathaniel and Henry Bowditch, a panning shot featuring a number of personal items belonging to “Nat” from the Bowditch Cabinet, as well as an assortment of items – the “terrible telegram” and the annotated map of Virginia showing the site of the younger Bowditch’s death, among others — contained in the Nathaniel Bowditch Memorial Collection.
If you missed the episode, look for it to re-air on PBS or watch it online. You will be glad that you did.
had their own ways of commemorating loved ones. In Death Lamented: The Tradition of Anglo-American Mourning Jewelry, an upcoming exhibition at the MHS by jeweler Sarah Nehama and MHS Curator of Art Anne Bentley, examines the practice from the 17th through the 19th century of commissioning and wearing rings, bracelets, brooches, and other jewels to honor the dead.
available for purchase on
A French citizen, Lafayette began his career as a musketeer in the king’s regiment and married into a wealthy, well-connected French family. The reports of Americans fighting for liberty moved him, and in 1777 he bought a ship and sailed for America. Upon arrival, Lafayette earned an honorary commission as major general in the Continental Army. Gen. George Washington became his mentor, and Lafayette was devoted to him. Lafayette earned fame for his courage on the battlefield, and he used his family connections to obtain crucial material aid from France for the American cause. His support for the Revolution, especially as a foreigner, captured the imagination and admiration of Americans. He was beloved in the United States for the rest of his life.
Lafayette’s legacy is apparent in the Society’s collections, which include correspondence, artifacts, and memorabilia from the time of the American Revolution and his celebrated return trip to the States in 1824-1825. The portrait gallery also features Jospeh Boze’s well-known portrait of Lafayette. Thomas Jefferson commissioned this work for his gallery of American heroes in honor of Lafayette’s contributions to the American Revolution. The portrait depicts Lafayette at the pinnacle of his career. He wears the uniform of the French National Guard and a confident expression as he gazes off into the distance. Even at 255, he still looks good. A happy birthday to him.

